a constructed world
Explaining contemporary art to live eels #5, SOS 4.8 Festival, Murcia 2009
Come Vuoi (like you want), Campo Neutro, Assab One, Milan, 2004
work with
not-knowing
live eels
pamphlets
conversations
dancing
absences
errors deceits mistakes
would like to make conversations about
the velvet prison (soft plush lining that incorporates and nullifies everything)
nationalism
politics after de-regulation
Roslyn Oxley9 Gallery Sydney
Uplands Gallery Melbourne
